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Intentions
126.10
Originally published in 1891 when Wilde was at the height of his form, these
brilliant essays on art, literature, criticism, and society display the flamboyant
poseur's famous wit and wide learning. A leading spokesman for the English
Aesthetic movement, Wilde promoted "art for art's sake" against critics who argued
that art must serve a moral purpose. On every page of this collection the gifted
literary stylist admirably demonstrates not only that the characteristics of art are
"distinction, charm, beauty, and imaginative power," but also that criticism itself
can be raised to an art form possessing these very qualities.
THE DECAY OF LYING: AN OBSERVATION
PEN, PENCIL AND POISON—A STUDY IN GREEN
THE CRITIC AS ARTIST: WITH SOME REMARKS UPON THE IMPORTANCE OF DOING
NOTHING
THE CRITIC AS ARTIST: WITH SOME REMARKS UPON THE IMPORTANCE OF
DISCUSSING EVERYTHING
THE TRUTH OF MASKS:A NOTE ON ILLUSION
Originally published in 1891 when Wilde was at the height of his form, these
brilliant essays on art, literature, criticism, and society display the flamboyant
poseur's famous wit and wide learning. A leading spokesman for the English
Aesthetic movement, Wilde promoted "art for art's sake" against critics who argued
that art must serve a moral purpose. On every page of this collection the gifted
literary stylist admirably demonstrates not only that the characteristics of art are
"distinction, charm, beauty, and imaginative power," but also that criticism itself
can be raised to an art form possessing these very qualities.
THE DECAY OF LYING: AN OBSERVATION
PEN, PENCIL AND POISON—A STUDY IN GREEN
THE CRITIC AS ARTIST: WITH SOME REMARKS UPON THE IMPORTANCE OF DOING
NOTHING
THE CRITIC AS ARTIST: WITH SOME REMARKS UPON THE IMPORTANCE OF
DISCUSSING EVERYTHING
THE TRUTH OF MASKS:A NOTE ON ILLUSION
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